Sound // Technology // Politics //
Very excited to be sharing my research, “Dissensus, Refusal and Participatory Music: Negation and Rupture in Crowd in C,” at CIM’22. The conference’s theme this year is “participation” (very apt for my work!). I’ll be presenting on panel 5A, on Thursday, June 9th. You can find out more information at the conference website here:
I’ll be presenting research on participation, political theory, and music technology that I have been working on for the past several years at both the Music and Democracy Study Days: Rethinking Participatory Processes Through Music, and the British Forum for Ethnomusicology and Royal Musical Association Research Students’ Conference in January. The title of the paper is “Dissensus, Refusal and Participatory Music: Negation and Rupture in Crowd in C,” which I have been developing for an invited chapter in a volume on post-politics and the aesthetic imagination. I am really excited for some fruitful talks that develop my thinking on topics that my music is explicitly engaging with.
You can find out more about the conference and the workshop, as well as their schedule of events here:
6 to 8 January, 2022
https://bfe-rma-conference-2022.github.io/
14-15 January 2022
https://musicdemocracystudydays.wordpress.com/
