Sound // Technology // Politics //
Politics I will be performed on the Art Work track at the 7th International Web Audio Conference. I’ll update this post as more details arrive, but you’ll be able to participate in Cannes, France — in person, or online!
For more details on the conference, check it out here. More coming soon as conference schedule is settled!
I’ll be presenting research on participation, political theory, and music technology that I have been working on for the past several years at both the Music and Democracy Study Days: Rethinking Participatory Processes Through Music, and the British Forum for Ethnomusicology and Royal Musical Association Research Students’ Conference in January. The title of the paper is “Dissensus, Refusal and Participatory Music: Negation and Rupture in Crowd in C,” which I have been developing for an invited chapter in a volume on post-politics and the aesthetic imagination. I am really excited for some fruitful talks that develop my thinking on topics that my music is explicitly engaging with.
You can find out more about the conference and the workshop, as well as their schedule of events here:
6 to 8 January, 2022
https://bfe-rma-conference-2022.github.io/
14-15 January 2022
https://musicdemocracystudydays.wordpress.com/
