toy_3 at NYCEMF

NYCEMF logo

toy_3 will be performed live at the New York City Electroacoustic Music Festival later this month! Right now it’s scheduled for a concert on June 21st, but I am trying to get it moved to a concert on the 26th for scheduling accommodations with the other performers.

Visuals from toy_3

Hope to see you there!

UPDATE: Both works will be performed on the last concert of the festival (yay!). Niloufar Nourbakhsh and I will be performing my work as well as Daria Semegen’s Vignettes Transfigurations.

Concert Details:

The Loreto Theater
18 Bleecker St, New York, NY 10012
Sunday, June 26, 2022
8:00PM-10:00PM

Politics I at Web Audio Conference 2022

Politics I will be performed on the Art Work track at the 7th International Web Audio Conference. I’ll update this post as more details arrive, but you’ll be able to participate in Cannes, France — in person, or online!

For more details on the conference, check it out here. More coming soon as conference schedule is settled!

Presenting at the 2022 Conference on Interdisciplinary Musicology

Levante Popular da Juventude participou das atividades da Greve Geral em São Paulo nesta sexta-feira (14). (Foto: Divulgação)” by Brasil de Fato is marked with CC BY-NC-SA 2.0.

Very excited to be sharing my research, “Dissensus, Refusal and Participatory Music: Negation and Rupture in Crowd in C,” at CIM’22. The conference’s theme this year is “participation” (very apt for my work!). I’ll be presenting on panel 5A, on Thursday, June 9th. You can find out more information at the conference website here:

https://blogs.ed.ac.uk/cim22-participation/

Presenting at BFE/RMA Conference & Music and Democracy Study Days in Jan. 2022

I’ll be presenting research on participation, political theory, and music technology that I have been working on for the past several years at both the Music and Democracy Study Days: Rethinking Participatory Processes Through Music, and the British Forum for Ethnomusicology and Royal Musical Association Research Students’ Conference in January. The title of the paper is “Dissensus, Refusal and Participatory Music: Negation and Rupture in Crowd in C,” which I have been developing for an invited chapter in a volume on post-politics and the aesthetic imagination. I am really excited for some fruitful talks that develop my thinking on topics that my music is explicitly engaging with.


You can find out more about the conference and the workshop, as well as their schedule of events here:

British Forum for Ethnomusicology and Royal Musical Association Research Students’ Conference

6 to 8 January, 2022
https://bfe-rma-conference-2022.github.io/


Music and Democracy Study Days: Rethinking Participatory Processes Through Music

14-15 January 2022
https://musicdemocracystudydays.wordpress.com/

IGNM Zürich Fast Forward Festival — Night II

IGNM Zürich Fast Forward Festival Poster

December 11, 2021 — 22:00

Melody Chua, Eric Larrieux, Sascha Jösler and I will join forces for an evening of continuous, experimental music at Kunstraum Walcheturm. The set will be a 45-minutes of continuous electroacoustic music based on compositions by each of us. Interleaving the compositions will be improvised segments that connect each piece to one another. The performance is supported by the Internationale Gesellschaft für Neue Musik, Zürich, Pro Helvetia, and Fondation Nicati-de Luze. Hope to see you there!